Who this course is for
- You already mix professionally, but immersive feels confusing
- You don’t want trial-and-error with Atmos / binaural
- You need a workflow that translates, not theory
- You want to deliver immersive formats without breaking projects
Secure Your Slice of the 3D Audio Cake:
With Dolby Atmos taking the audio world by storm, it's a train you don't want to miss. The demand for immersive sound experiences is skyrocketing, and seizing this opportunity is crucial.
Enrolling in this course is your ticket to staying ahead in an industry where immersive audio is becoming the new standard.
Learn from the leading experts in the field that there are more immersive audio opportunities than Dolby Atmos.
What the video course offers
- 9+ hours of expert-level 3D audio training from Grammy-nominated engineers
- My exclusive "3D Audio Matrix" framework gives you the ultimate guide
- Practical mic techniques that make spatial recordings actually work
- Monitoring and speaker-setup fundamentals that eliminate common mix errors
- Step-by-step immersive mixing methods you can apply in any DAW
- Binaural, head-tracking and virtualization workflows explained without jargon
Lasse Nipkow
Since 2010, he has refined his empirical research in the field of applied psychoacoustics for 3D audio.
He realized numerous 9.1 recordings of classical music as well as sound design for animated films and dance music.
Eric Horstmann
One of Germany's leading Mixing Engineers for Dolby Atmos. With a client roster boasting.
Eric has expertly mixed over 600 titles.
Credits include Helene Fischer, Robin Schulz, Glasperlenspiel, etc.
Tom Ammermann
Grammy-nominated in immersive audio for his work with Kraftwerk.
He leads a team creating Next Generation Audio tools for mobile, theaters, games, music, broadcast, and live performances.
Example Curriculum
- About Martin Rieger
- How does 3D Audio work? - A short overview (4:31)
- How can you differentiate threedimensional Audio? - Degrees of Freedom (1:19)
- How do you listen to immersive audio? - All about speaker playback (4:50)
- How do you listen to immersive Audio? - The basics of headphone playback (9:17)
- How is immersive Audio used for video production? - Dolby as a pioneer (4:39)
- How do we hear? - Spatial Hearing and HRTF (11:10)
- How do we immitate natural hearing? - In-head-localisation and externalisation (7:52)
- How do finished products look? - Examples and Take aways (11:24)
- How do 360° videos work? - Examples on headtracking (8:36)
- How do we produce headphone content? - Recap and Problems in headphone production (12:18)
- How can we spatialize audio? - Spatializer (7:20)
- How do we make the experience even more realistic? - All about headtracking (22:22)
- Take away (8:43)
- How do we record immersive audio? - Microphones for 3D Sound (18:31)
- Q&A (3:35)
- How do people receive immersive audio? - About psychoacoustics and formats (6:29)
What you can do after this course
- Deliver a client-ready binaural mix from any stereo or multichannel session — without guessing
- Set up a Dolby Atmos session in your existing DAW (Logic, Pro Tools, Reaper) without buying new monitoring
- Apply the 3D Audio Matrix to decide which format (Atmos, Ambisonics, MPEG-H, Binaural) fits your client’s project
- Charge immersive-audio rates instead of stereo rates — one project usually pays more than this course
Why learn from Martin Rieger
I have been running my own studio for over 10 years and work full-time as a 3D audio expert — nothing in stereo since I first put on a VR headset.
I am the official expert for immersive media at Germany’s Federal Institute for Vocational Education (BIBB).
My course is already used by 10 German vocational schools and 20 universities as part of the new “Designer for Immersive Media” curriculum.
Recording studio for mixing and mastering
Our challenge was that we needed more knowledge about 3D sound, especially for music.
Martin Rieger's 1-on-1 coaching showed all the possibilities that immersive sound offers, how it is used today and how it can evolve.
As immersive sound is quite new on the Norwegian market, it was great to get an international perspective on the format.
Academy of Media and Arts Halle
Under the motto 'Technology meets creativity', Martin Rieger inspired the workshop participants with a presentation on brand new
developments in the field of spatial audio.
Using practical examples, he demonstrated the immense potential of immersive sound technologies.
Professional, practice-oriented and entertaining.
Workshop participant
“I thought the audio samples and live sessions were really clear, and your commentary was great!
“It was really good. Thanks so much for that!”
“Martin, it was a real pleasure, and this course was super interesting.”
Risk-free for 14 days
Frequently asked questions
Do I need a Dolby Atmos studio? No — works with any DAW (Logic, Pro Tools, Reaper, Cubase) and stereo headphones.
How long do I have access? Lifetime, including all future updates.
Is the course in English? Yes — all 9+ hours in English.
New to immersive audio? The 3D Audio Matrix starts at 0 DoF and builds up step by step.
Will I get a certificate? Yes — completion certificate you can share on LinkedIn.
How is this different from free YouTube tutorials? It is a structured framework built from real client projects, taught by someone who delivers immersive work full-time.
Can I pay in EUR? Yes — Teachable converts automatically, EU sees VAT-inclusive pricing.